![]() Christopher medallion swing back and for the on the chain beneath his white button-down shirt. As he walked through the station, Rosa’s St. “Tiago, carrying a canvas and leather duffle bag, exited the train station at the Porto station and stretched his leg muscles, right from sitting on the five-hour ride from sitting Lisbon. And it will provide her with a chance to help steer the course of war, if she is willing to take risks as great as the possible rewards. ![]() Gaining Lars’ trust will bring Maria into the very heart of the Fuhrer’s inner circle. Working in tandem with Tiago Soares, a Portuguese bookstore owner on a precarious mission of his own-providing Jewish refugees with forged passports and visas-Maria acquires vital information, including a directory of arms factories in Germany.īut as she and Tiago grow closer, any future together is jeopardized when Maria’s superiors ask her to pose as a double agent, feeding misinformation to Lars Steiger, a wealthy Swiss banker and Nazi sympathizer who launders Hitler’s gold. Maria Alves, a microfilm expert working at the New York Public Library, is dispatched to Lisbon, where she meticulously photographs publications and sends the film to London to be analyzed. By acquiring and scouring Axis newspapers, books, technical manuals, and periodicals, the librarians can gather information about troop location, weaponry, and military plans. They are librarians and microfilm specialists trained in espionage, working with a special branch of the Office of Strategic Services and deployed to neutral cities throughout Europe. Here are ten spy novels (seven by women, three by men) where women are strong central characters.It is 1942: With the war’s outcome hanging in the balance, President Roosevelt sends an unlikely new taskforce on a unique mission. My new novel, The Mercenary, is part of this movement in spy fiction, featuring a young KGB officer who defects when she becomes disenchanted with corruption in 1980s Soviet Union. “I have often felt alienated by spy fiction because it has often seemed so rigidly masculine….Reading or watching spy narratives can feel claustrophobic when it means entering a world in which it is so often men who see and women who are seen – and seen as sexualized bodies above all.” There’s also Natasha Walter, a British feminist author and human rights advocate, who published a debut spy novel, A Quiet Life in 2016. At the time, she made a plea in The Guardian for more women spies in fiction. She wrote: Kate Atkinson, a literary author, entered the spy genre with Transcription, and recently a new group of talented young writers, including Lauren Wilkinson ( American Spy) and Rosalie Knecht ( Who is Vera Kelly?), have written well-received works. Gayle Lynds’s Masquerade, published in 1996, became the first spy novel written by a woman to become a bestseller, and it helped open the genre for other women. The realistic spy novel has always tried to hold up a dark mirror to the wider world, so it is only fitting that as the world changes, that mirror reflects more women as central characters in spy novels. ![]() But as women rise in the rank of the CIA, spy fiction too is changing. ![]() ![]() Wikipedia’s list of top living spy authors still only contains two women among the seventy names: Stella Rimington and Gayle Lynds. “The true spy story resembles real life as we all actually know it,” she wrote about the stories in the book, all of which were written before 1957. Her only complaint about the old stories in the book is that, except for a nod to Mata Hari, women are of little consequence.įiction’s espionage genre has long been a boy’s club. Stella Rimington, the former head of MI5, and the first woman to hold that position (from 1992-1996), reflected on the role of women in spy fiction in her introduction to the reissue of Graham and Hugh Greene’s collection of spy fiction, The Spy’s Bedside Book. Women played key roles in espionage operations during World War II, but peace and the Cold War relegated women to largely secretarial or administrative jobs. Cold War fiction tended to mirror the gender roles that were available to women in the real business of spies-books were filled with dedicated secretaries and pretty girls with whom flirty romances might yield intelligence. Sign up for our newsletter to get submission announcements and stay on top of our best work.įor the first time in the agency’s 74-year history, women dominate the upper ranks of the CIA. Since 2018, Gina Haspel has been the Director of Central Intelligence, and three of her top five directorates (support, analysis, and science & technology) are also headed by women. ![]()
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